Very Short Fact: On this day in 1939, Britain and France declare war on Germany
The public mood after the outbreak of the Second World War was notably less passionate or strident than after August 1914. Neither the militarism nor the pacifism of that earlier conflict was echoed now. In large measure, this was because of the curious features of the early months of the war. During the so-called ‘phoney war’ period down to April 1940, the fighting seemed remote, almost academic. It is a curious, twilight phase well portrayed in Evelyn Waugh’s novel Put out More Flags.
[p. 45, Twentieth-Century Britain: A Very Short Introduction, by Kenneth O. Morgan].
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Image credit: War Office Second World War gas masks, from Imperial War Museums. Public domain via Wikimedia Commons.
this will be in my house
Two men dancing, Harlem, 1920s.
According to George Chauncey’s eponymous Gay New York, the Harlem Renaissance of the ’20s provided an opportunity for gay men to create their own social and cultural spaces within the burgeoning nightlife in the neighborhood.
Allegations of Voodoo and human sacrifice in the Great New Orleans Kidnapping Case (Mobile Register 1870)
During the Great New Orleans Kidnapping Case of 1870, the rumor circulated that Voodoo practitioners had abducted Mollie Digby for use as a ceremonial human sacrifice. The rumor tapped into white New Orleanians’ longstanding fear of Voodoo priests and priestesses. Before the Civil War, government officials worried that Voodoo leaders such as Marie Laveau and her daughter Marie the Second could incite slave revolts. Their presence destabilized the racial status quo that had bolstered slave society.
After Appomattox, Voodoo men and women took advantage of freedom that came with Reconstruction to practice their religion openly. Although Voodoo practitioners considered themselves to be Catholics, many frightened white residents saw the postwar Voodoo renaissance as yet another example of impending social chaos. White reactionaries, vowing to fight the “Africanization” of the city, used sensationalized accounts of Voodoo rituals to malign black culture and to portray black people as unfit to vote or govern. White editors demanded that Voodoo priests and priestesses “be closely observed by the police to prevent the intolerable excesses to which their ignorance and fanaticism lead.” For many of the city’s white residents, the Digby rumors confirmed those fears. During Reconstruction, one commentator warned, black people had “passed so much out of, and beyond the influence of white civilization” that “Voudouism” was flourishing. “It is horrible to think,” he added, “that the little child of Mr. Digby has been sacrificed to this savage superstition.”
As the hysteria grew, one editor after another demanded that what became known as “The Great New Orleans Kidnapping Case” be solved.
Michael A. Ross is author of The Great New Orleans Kidnapping Case: Race, Law, and Justice in the Reconstruction Era.
For The First Time Ever, All Four Eyewitness Accounts of The Murder of Michael Brown Put In Chronological Order: The most detailed side-by-side telling of each eyewitness account of the Mike Brown murder in chronological order #JusticeForMichaelBrown [@ShaunKing]
Reblog the fuck out of this